++ The front panel of the Space Ritual tour programme/poster ++

Just as he did for Ian Dury & The Blockheads and Elvis Costello and the Attractions half-a-decade later, Barney Bubbles produced a fold-out programme/poster for Hawkwind’s 1972 Space Ritual tour.

++ Opened out to reveal this portrait of saxophonist Nik Turner and the start of Robert Calvert’s essay ++

As well as Bubbles’ striking illustrations and graphics, the exercise included photography of the group’s main members and an entertaining if rambling sci-fi/semi-fictional account of the group’s activities by poet, lyricist and performer Robert Calvert.

++ Unfolded the poster measures 56 x 39 cm ++

Calvert, Bubbles and other contributors such as writer Michael Moorcock received tips of the hat in the credits.

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++ Front panel of Barney Bubbles sleeve for Hawkwind’s 1973 live album Space Ritual.  Artwork © Barney Bubbles Estate ++

Barney Bubbles’ representation of dancer/performance artist Stacia Blake adorned the front panel of his hugely ambitious trifold sleeve for Hawkwind’s live album Space Ritual, released 50 years ago last month.

++ Space Ritual’s exterior six-panel trifold. Design concept and artworks © Barney Bubbles Estate. Photography: Gabi Nasemann and Laurie Lewis ++

Those familiar with the sleeve will know that once unfolded the front six panels show that the Stacia figure was emitting shockwaves across the artwork, which incorporated photography of the group in performance by Laurie Lewis and Gabi Nasemann.

++ L’Emeraude, Alphonse Mucha, 1902. Colour lithograph from the Precious Stones series. 67 x 30cm ++

The arresting front panel channels the Art Nouveau work of Czech painter, illustrator and graphic artist Alphonse Mucha, who was very much in vogue in post-hippie circles in the early 1970s. British artist John Coulthart has identified elements in the Space Ritual design directly derived from Mucha’s 1900 lithograph L’Emeraude (The Emerald).

++ The Precious Stones series, 1902 ++

The slavering beast’s head appeared in many of Mucha’s drawings and was based on armrests on one of his chairs, whileL’Emeraude was in Mucha’s series Les pierres précieuses (Precious Stones) along with representations of topaz, ruby and amethyst.

Tags: Alphonse Mucha, Art Nouveau, Gabi Nasemann, John Coulthart, L'Emeraude, Laurie Lewis, Stacia Blake

++ From notes and instructions prepared by Bubbles for Hawkwind’s Space Ritual dates in 1972 ++

Here is Barney Bubbles’ first draft of the logo which appeared on the front of Hawkwind’s 1972 album Doremi Fasol Latido.

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Artists’ agent and passionate music lover Norman Maslov has posted a 10 minute journey through The Wild World of Barney Bubbles on his Youtube channel, augmented by examples of original and reissue record sleeve and poster designs from his collection.

Watch above and here.

Tags: Norman Maslov, Youtube

++ A Box of Bubbles is housed in this impressive 25 x 30cm casing decorated with one of Barney Bubbles’ most familiar artworks, for Ian Dury & The Blockheads’ 1978 single Hit Me With Your Rhythm Stick ++

++ The box contains a copy of The Wild World of Barney Bubbles with a different hard cover jacket from the regular version ++

Very exciting – the first advance copy of A Box of Bubbles has arrived… and it looks amazing.

++ The boxed version of Wild World also has different end-papers based on patterns produced for Elvis Costello & The Attractions 1979 LP Armed Forces ++

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Tags: bookshop.org, International Times

Barney Bubbles first produced the the so-called Ridiculous Mask as an analogue interactive element of music press advertising to promote the Ridiculous Roadshow, Hawkwind’s tour of the UK in the winter of 1973-4.

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Tags: Paradox, Ridiculous Roadshow, You'd Better Believe It