RIP to the great British cinematographer Dick Pope, who has died aged 77.

Pope is best known for his work with the director Mike Leigh, and his impressive CV includes a raft of music videos including Queen’s I Want To Break Free and, of course, the Barney Bubbles-directed Ghost Town for The Specials.

As recounted by Bubbles’ video producer Genevieve Terry in The Wild World of Barney Bubbles, Pope was horrified when Bubbles played fast-and-loose with the expensive camera affixed to the car the members of the Specials were travelling in, though appreciated the outcome.

Here’s the tremendous outcome of their efforts:

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++ The front panel of the Space Ritual tour programme/poster ++

Just as he did for Ian Dury & The Blockheads and Elvis Costello and the Attractions half-a-decade later, Barney Bubbles produced a fold-out programme/poster for Hawkwind’s 1972 Space Ritual tour.

++ Opened out to reveal this portrait of saxophonist Nik Turner and the start of Robert Calvert’s essay ++

As well as Bubbles’ striking illustrations and graphics, the exercise included photography of the group’s main members and an entertaining if rambling sci-fi/semi-fictional account of the group’s activities by poet, lyricist and performer Robert Calvert.

++ Unfolded the poster measures 56 x 39 cm ++

Calvert, Bubbles and other contributors such as writer Michael Moorcock received tips of the hat in the credits.

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++ Front panel of Barney Bubbles sleeve for Hawkwind’s 1973 live album Space Ritual.  Artwork © Barney Bubbles Estate ++

Barney Bubbles’ representation of dancer/performance artist Stacia Blake adorned the front panel of his hugely ambitious trifold sleeve for Hawkwind’s live album Space Ritual, released 50 years ago last month.

++ Space Ritual’s exterior six-panel trifold. Design concept and artworks © Barney Bubbles Estate. Photography: Gabi Nasemann and Laurie Lewis ++

Those familiar with the sleeve will know that once unfolded the front six panels show that the Stacia figure was emitting shockwaves across the artwork, which incorporated photography of the group in performance by Laurie Lewis and Gabi Nasemann.

++ L’Emeraude, Alphonse Mucha, 1902. Colour lithograph from the Precious Stones series. 67 x 30cm ++

The arresting front panel channels the Art Nouveau work of Czech painter, illustrator and graphic artist Alphonse Mucha, who was very much in vogue in post-hippie circles in the early 1970s. British artist John Coulthart has identified elements in the Space Ritual design directly derived from Mucha’s 1900 lithograph L’Emeraude (The Emerald).

++ The Precious Stones series, 1902 ++

The slavering beast’s head appeared in many of Mucha’s drawings and was based on armrests on one of his chairs, whileL’Emeraude was in Mucha’s series Les pierres précieuses (Precious Stones) along with representations of topaz, ruby and amethyst.

Tags: Alphonse Mucha, Art Nouveau, Gabi Nasemann, John Coulthart, L'Emeraude, Laurie Lewis, Stacia Blake

++ From notes and instructions prepared by Bubbles for Hawkwind’s Space Ritual dates in 1972 ++

Here is Barney Bubbles’ first draft of the logo which appeared on the front of Hawkwind’s 1972 album Doremi Fasol Latido.

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This is Barney Bubbles’ copy of one of the books which not only advanced graphic design practice in the 1960s but was also to leave a major mark on him and his future output.

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Tags: Alan Fletcher, Bob Gill, Colin Forbes, Graphic Design: Visual Comparisons, John Lewis, Royal College Of Art, Studio Books

Hundreds of record sleeves and pieces of ephemera designed by Barney Bubbles are currently on display in Sweden’s oldest record store, Burmans Musik in Umeå.

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Tags: Burmans Musik, Stefan Nilsson, Sweden

++ Armed Forces front cover from the 2020 box set reissue ++

Sad to note the death last month at the age of 69 of the intriguing artist Tim (sometimes Tom) Pogson, whose work notably included the incredible pastiche of the popular wildlife painter David Shepherd for the front cover of Elvis Costello & The Attractions’ 1979 album Armed Forces.

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Tags: David Shepherd

Wild World contributor Clarita Hinojosa discusses her essay and the book in the latest episode of the Design Freaks podcast.

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Tags: Design Freaks

‘There was a fair amount of detective work which went into it, but once you unlocked the door, it seemed that a lot of people were waiting for this; those that either worked with Bubbles or those that appreciated him were waiting for like-minded souls.’

Paul Gorman to Jon Langmead, popmatters.com

The Wild World of Barney Bubbles is hailed as ‘a lovely and essential work bursting with delight’ by pop culture website popmatters.com.

Writer Jon Langmead, who interviews Wild World author Paul Gorman, has skin in the game as the drummer for The Paranoid Style. As regular readers will know, their new album released this week features lead track Barney Bubbles, a tribute to the late designer.

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Tags: Elizabeth Nelson, Jon Langmead, popmatters.com, The Paranoid Style

This is the colour version of the drawing by musician Ed Hamell – of the band Hamell On Trial – which appears on the inner sleeve of The Paranoid Style’s new album For Executive Meeting.

Hamell also contributed to the lyric video for the album’s lead track tribute to Bubbles, including the interpretation of the cover of Elvis Costello & The Attractions’s album Imperial Bedroom – watch out for it at 02.00 in the clip:

Check out Hamell On Trial here.

For Executive Meeting is available from all good record retailers and direct from Bar/None here.

Tags: Bar/None, Barney Bubbles, Ed Hamell, For Executive Meeting, Hamell On Trial, The Paranoid Style