Wild World contributor Clarita Hinojosa discusses her essay and the book in the latest episode of the Design Freaks podcast.
‘A lovely and essential work bursting with delight’
‘There was a fair amount of detective work which went into it, but once you unlocked the door, it seemed that a lot of people were waiting for this; those that either worked with Bubbles or those that appreciated him were waiting for like-minded souls.’
Paul Gorman to Jon Langmead, popmatters.com
The Wild World of Barney Bubbles is hailed as ‘a lovely and essential work bursting with delight’ by pop culture website popmatters.com.
Writer Jon Langmead, who interviews Wild World author Paul Gorman, has skin in the game as the drummer for The Paranoid Style. As regular readers will know, their new album released this week features lead track Barney Bubbles, a tribute to the late designer.
Ed Hamell’s splendid Barney Bubbles interpretations
This is the colour version of the drawing by musician Ed Hamell – of the band Hamell On Trial – which appears on the inner sleeve of The Paranoid Style’s new album For Executive Meeting.
Hamell also contributed to the lyric video for the album’s lead track tribute to Bubbles, including the interpretation of the cover of Elvis Costello & The Attractions’s album Imperial Bedroom – watch out for it at 02.00 in the clip:
Check out Hamell On Trial here.
For Executive Meeting is available from all good record retailers and direct from Bar/None here.
Norman Maslov on The Wild World of Barney Bubbles on Youtube
Artists’ agent and passionate music lover Norman Maslov has posted a 10 minute journey through The Wild World of Barney Bubbles on his Youtube channel, augmented by examples of original and reissue record sleeve and poster designs from his collection.
Watch above and here.
42 years separate this pair of Muleskinners-inspired T-shirts
42 years separate the designs in this great photo, which pairs the new official Barney Bubbles Muleskinners T-shirt on the left with the one-off tribute on the right designed in 1980 by Julian Balme for the UK post-punk R&B group The Commuters.
Both belong to Peter Stanfield, the group’s harmonica player who is these days a prominent pop culture academic and author, notably of the recently published Pin-Ups 1972.